Ayyam Gallery Jeddah will be presenting Contemporary Arabia, a multimedia exhibition featuring a selection of established and emerging Arab artists, including Samia Halaby, Tammam Azzam, and Shaweesh, to be held 5 May until 13 June 2014.
Contemporary Arabia will mark the ﬁrst time a broad survey of Ayyam Gallery’s stable of artists has been shown in the Kingdom. Representing several generations of painters and photographers from across the region, this forthcoming group show will highlight the myriad ways that today’s painters and photographers are exploring the
intricacies of modern life through such themes as the impact of globalisation, the presence of militarised conﬂicts, and the oversaturation of media that has redeﬁned our everyday existence. Other points of departure include explorations of form, such as visceral uses of colour, symphonic brushwork, and ethereal compositions, as springboards for sensory associations.
Nihad Al Turk Celebration, 2012 Mixed media on canvas 180 x 200 cm
In his ongoing Dream series, Syrian painter Safwan Dahoul unearths the psychology of solitude, depicting moments of crisis as a place of conﬁnement, whether the death of a loved one, periods of estrangement, or the onset of political conﬂict. Through a recurring female protagonist whose Pharaonic eyes and calligraphic body situates her fragile state as of a phenomenon from time immemorial, Dahoul underscores the fragility of man amidst the variability of experiential realities.
Safwan Dahoul Dream 54, 2011 Acrylic on canvas 200 x 200 cm
In a playful body of photographs, Saudi artist Huda Beydoun explores the anonymity of public spaces and the interactions of random passersby as daily happenings unfold on city streets. During a trip to Morocco, Beydoun captured the scenes of her Tagged and Documented series by focusing on the routine action of urban settings while also framing the details of the different environs that deﬁne social organisation although outwardly banal.
Adorning her subjects with Mickey Mouse heads in silhouette and matching attire, she adds a sense of whimsy with a nod to the reach of consumerist culture to what might otherwise constitute as rituals of the mundane. Palestinian painter Oussama Diab utilises a conceptual approach to painting by appropriating the iconic markers and styles of seminal art movements to underscore the complexities of political conﬂict and exile.
Ranging in neo-expressionist canvases employing symbolist imagery derived from popular culture to a more recent realist body of work that places images associated with violence in settings that are historically reserved for sanctiﬁed subjects, Diab locates the intersections of visual culture and politics, emphasising how imagery has become one of the most powerful forms of mediation.
Mouteea Murad Trial No. 68, 2012 Acrylic on canvas 170 x 170 cm
The exhibition will also feature artists engaging regional traditions such as Syrian painter Mouteea Murad who reinterprets the aestheticised harmony of Islamic art and adheres to its bases in spirituality, mathematics, and the natural sciences. Through vivid, geometrically precise compositions, Murad articulates a sense of splendour in the world around him as conﬁrmation of the sublime.
Ayyam Gallery Jeddah
Opening Reception: Monday, 5 May from 7:00-9:00pm
Exhibition Dates: 5 May – 13 June 2014
Location: Bougainvillea Center Jeddah, 3rd floor
King Abdulaziz Road, next to Stars Avenue
Al-Zahra District, Jeddah
Tel: +966 12 613 4111
– Text and images courtesy of Ayyam Gallery